The field pattern of this trapping is comparable to a musical fugue with
multiple themes and variations. Notice changes of color, scale and placement
of the curly leaf as it is repeated in groups of three or four throughout the
central field. The field pattern relies on glide reflection. Typically, as
in many Oriental rugs, the infinite pattern in the central field is
arbitrarily cut off by borders.
Here, the multiple border patterns all utilize reflection along both the
horizontal and vertical axes. The lower edge of this object preserves
evidence of long blue tassels that would have swayed along the camel's side
during a wedding procession.
The wool is very lustrous and is augmented by bright pink silk in the pile.
Generally, among tribal and nomadic weavers, wool is used from the sheep they
raise. Silk is reserved for the highest levels of production.
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