Date: Mar 20, 2010 2:45 PM Author: Subject: Leonardo Da Vinci's Mathematical Codes of "THE LAST SUPPER" ( Part 5) Copyrights 2010 by Ion Vulcanescu.

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WELCOME to the newest branch of the science:

THE MATHEMATICAL ANTHROPOLOGY !

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This article presents the Mathematical Codes

hidden in the seating of the 13 Humans seen sitting to the table

in the Leonardo Da Vinci's painting "THE LAST SUPPER".

I have discovered these Time Mesages

when I took a look to the FREQUENCIES of each Human,

and to Interrelations between these FREQUENCIES.

Although the painting "THE LAST SUPPER"

presents the seating of the Humans

IN THE KNOWN ORDER:

"Bartolomew, James, Andrew, Judas, Peter, John, Jesus Christ

Thomas, James, Philip, Matthew, Jude Thaddeus and Simon,"

due to the Double Encoding of JUDE THADDEUS

we have to see not 13 Humans but 26 Humans

SEATTED UNDER TWO ROWS

which appears due to the Double Personification of:

- JESUS (7) CHRIST (20), and

- JUDE(12) THADEUS (25) each having Two Positions:

FIRST ROW

(1) Bartolomew, (2) James, (3) Andrew, (4) Judas,

(5) Peter, (6) John, (7) JESUS ,

(8) Thomas, (9) James, (10) Philip, (11) Matthew,

(12) JUDE, (13) Simon, and

SECOND ROW

(14) Bartolomew, (15) James, (16) Andrew,

(17) Judas, (18) Peter, (19)John, (20)CHRIST,

(21) Thomas, (22) James, (23)Philip,

(24) Matthew, (25) THADDEUS, (26 )Simon.

Observe that the Humans are Encoded

as being not 13 but 26 , as also the Alphabet has 26 letters,

but read the WARNING of bellow !

WARNING !

In order to understand the Time-Messages

"JESUS CHRIST" must be "removed" from among the "apostles"

in both First and Second Rows, but

you shall see that even HE is "removed"

HE in fact appears time-and-again in coordonations.

Be patient, in the following articels

YOU SHALL SEE THE IMPORTANCE OF HAVING

JESUS CHRIST "REMOVED" FROM AMONG HIS "APOSTLES".

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Please, be advised that this article contains not only the Research

Data, but also my Opinions of philosopher,

both fully protected by the Federal Laws of the United States,

and by the International Copyrights Laws. If you intend to use partial,

or total this Research Data, you can use it by the Fair Uses Rights

of the Copyrights Laws, or by the Grant I have indicatted in

the Copyrights Notice of

THE AMERICAN CIVILIZATION'S GEOMETRY

that can be found at the end of the article:

"The Condemnation by the Paris Livre

of the French Academy of Sciences"

http://mathforum.org/kb/thread.jspa?threadID=1236573&tstart=0

or ask the Mathforum for Permission in writing.

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The Understanding of the Research Data of this article

requires familiarization with Ion Vulcanescu's

prior Research Data of the articles of

THE AMERICAN CIVILIZATION'S GEOMETRY

that can be found on Mathforum at:

http://mathforum.org/kb/forum.jspa?forumID=413

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As here-and-there may be typing, or other errors

this article shall be continuu corrected and reeditted

until it shall remain fidel to the intended form.

Due to this Effect

the interested researchers who shall reach this article

either as subscribers to Mathforum, or through an Internet

Search Engine shall allways return to

http://mathforum.org/kb/forum.jspa?forumID=413

and consider only the last corrected edition.

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As the Research data is ample and requeires large writing space

it shall ONLY BE PARTIAL DECODED in this article,

and for Copyright Security Reason

it shall be presented with few explanations, and with,

or without THE SPIRITUAL PLUGS.

The Real Values of the Words

ARE WITH INTENTION KEPT UNPUBLISHED

as they may be published in a future possible book,

or I shall return to Mathforum in the future years,

and fully present them.

Considering that you were Warned that the understanding

of this Research data requires familiarization

with the prior published articles, and

as the majority of the Numerical Codes herein seen

were already explained in the before published articles,

this article shall not explain them again.

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SECTION A

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...and having JESUS CHRIST "removed" from among the

Humans seatted to the table we hand up with the following views.

Please be advised that the following views of the Frequencies

are badsed on the Mathematical Models through which

I have passed the 12 "apostles".

These Frequencial Views are just some of many obtained :

Step1

FIRST ROW POSITIVE POSITIONAL FREQUENCY = 27792

FIRST ROW NEGATIVE POSITIONAL FREQUENCY = 6512

Step 2

SECOND ROW POSITIVE POSITIONAL FREQUENCY =27616

SECOND ROW NEGATIVE POSITIONAL FREQUENCY = 6688

Step 3

FIRST ROW ENCODED POSITIVE SITTING ORDER = 151204

FIRST ROW ENCODED NEGATIVE SITTING ORDER = 131218

Step 4

SECOND ROW POSITIVE SITTING ORDER = 151304

SECOND ROW NEGATIVE SITTING ORDER= 131318

Step 5

FIRST ROW POSITIONAL VALUE = 85

SECOND ROW POSITIONAL VALUE = 86

Step 6

FIRST ROW ALPHABETICAL FREQUENCY = 92

FIRST ROW POSITIVE (U/L) FREQUENCY = 14450

FIRST ROW NEGATIVE (U/L) FREQUENCY = 1970

FIRST ROW POSITIVE (U/L) FREQUENCY = 16928

FIRST ROW NEGATIVE (U/L) FREQUENCY = 608

Step 7

SECOND ROW ALPHABETICAL FREQUENCY = 93

SECOND ROW POSITIVE (U/L) FREQUENCY = 14792

SECOND ROW (U/L FREQUENCY = 2044

SECOND ROW POSITIVE (U/L) FREQUENCY = 17298

SECOND ROW NEGATIVE (U/L) FREQUENCY = 618

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SECTION B

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Step 1

The research of the Numerical Sequence indicates that

although the Seating it is seen as in painting,

the DESIGNER of the painting intended that at a later time the Decoder to see the Really Seating.

He appears that based his Design on the intuition that

SOMETIME IN THE FUTURE TIME

shall be born a human who shall understand his Design.

...and here is the view of the Desing of

"THE LAST SUPPER":

FIRST ROW

( as SEEN in painting)

2 + 3 + 1 = 6

6 + 5 + 4 = 15

9 + 10 + 8 = 27

14 + 12 + 11 = 37

TOTAL = 6 + 15 + 27 + 37 = 85

...and we can see:

- POSITIONAL VALUE = 85

- POSITIVE POSITIONAL FREQUENCY = 27792

- NEGATIVE POSITIONAL FREQUENCY = 65112

- POSITIVE SITTING ORDER = 151204

- NEGATIVE SITTING ORDER = 131218

- ALPHABETICAL FREQUENCY = 92

- POSITIVE (U/L) FREQUENCY = 14450

- NEGATIVE (U/L) FREQUENCY =1970

- POSITIVE (U/L) FREQUENCY =16928

- NEGATIVE ( U/L) FREQUENCY = 608

SECOND ROW

( as Spiritually Encoded and NOT SEEN in Painting)

2+3+1 = 6

6 + 5 + 4 = 15

9 + 10 + 8 = 27

14 + 13 + 11 = 38

TOTAL = 6 + 15 + 27 + 38 = 86

...and now we can see:

- POSITIONAL VALUE = 86

- POSITIVE POSITIONAL FREQUENCY =27616

- NEGATIVE POSITIONAL FREQUENCY =6688

- POSITIVE SITTING ORDER= 151304

- NEGATIVE SITTING ORDER = 131318

- ALPHABETICAL FREQUENCY = 93

- POSITIVE (U/L) FREQUENCY =14792

- NEGATIVE (U/L) FREQUENCY = 2044

- POSITIVE ( U/L) FREQUENCY= 17298

- NEGATIVE (U/L) FREQUENCY = 618

Step 2

Now let's create THE GEOMETRIC POINT of each Row:

FIRST ROW

85 x 4 = 340

SECOND ROW

86 x 4 = 344

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SECTION C

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Now let's read the Design:

(In this Design The Natural Geometric PI Value it is encoded

through the 162 Sumerian Fingers and Grains).

a - " (SWASTIKA : DECIMAL SYSTEM) -340 - 344 = 316"

Note: Remember my former Research Data call that you to keep

your eyes on THE CODE 316 !

b - "SOLOMON TEMPLE - THE NATURAL GEOMETRIC PI VALUE -

- ALPHABET = 316"

c - "( SOLOMON TEMPLE AREA : SOLOMON TEMPLE PERIMETER) :

: JESUS CHRIST = SOLOMON TEMPLE /THE NATURAL GEOMETRIC

PI VALUE "

Note: Do not laugh or be confused of the appearition of JESUS CHRIST

as relatted to THE SOLOMON TEMPLE. In a former article I have

indicatted that the research seems to indicate that at its origin

the Christianitity had THE OLD HEBREWS Spiritual Input.

d - (151304 - 151204 + 10) + ( 434 + 10) = 554"

e - (13138 - 344) -( 131218 - 340) - 55 = 41"

Notes: Here you see encoded "55" as the 55 years of Exile of the Gerizim Tribes,

and in "41" you see the JOSEPHUS ROULETE' s 41 Jewish Fighters

explained in former articles here on Mathforum.

f - (((340 -1) + (344 -1)) + (316 : 2))) x 4 = 3360

Notes: Look to "3360" for that it is also

THE GEOMETRIC POINT of 9/11/2001.

Do not take it as a "coincidence" for that IT IS NOT.

This view is just a part of

THE DESTRUCTIVE EFFECT

of the Humans and Non Humans discovered by me as being

THE SPIRITUAL LOCKED time message of the designers of

Judaism, Buddhism, Christianity, and Islam.

g - (85 + 86 + 1) - DECIMAL SYSTEM = THE NATURAL

GEOMETRIC PI VALUE = 162"

h - (27792 + 6512) = (27616 + 6688) = 34304

Note: observe THE EQAULITY of THE FIRST ROW, and

THE SECOND ROW, herein seen as "34304"

i - (34304 - 33133 - 1) x 4 = 3360"

Note: See Sample "i" of above. Here you see again

THE GEOMETRIC POINT of 9/11/2001.

j - (33133 - 1) + 434 + (( 27792 + 6512) + ( 27616 + 6688) - 2012 AD -

- THE NATURAL GEOMETRIC PI VALUE = SWASTIKA"

k - " 5772 - ( 26 x 4) + 34304 = (151204 - 131218) + ( 151304 - 131318)"

Note: "5772 = the year 2012 in the Old Hebrews Calendar.

l - "9886 + ((26 -1) x 4)) + SWASTIKA = ( 151204 - 131218) =

= (151304 - 131318)"

Note:

The "9886" was explaind in Part 1 and Part 2,

as it appears MANY TIMES the Coordonations

as it is relatted to 9/11/2001. Now you see it again appearing !

m - "(2044 - 1970) x ( 618 - 610) = AL HAJAR UL ASWAD"

n - "9 AL HAJAR UL ASWAD - 1) - ( 316 + 1) - ( ALPHABET x

x DECIMAL SYSTEM ) = THE NATURAL GEOMETRIC PI VALUE "

o - " (14792 - 14450 - ALPHABET) = 316"

p - "(17798 - ALPHABET - 1) - ( 16928 + ALPHABET + 1) = 316"

q - 6 "512 - 5772 = AL HAJAR UL ASWAD"

r - "6512 + 888 - DECIMAL SYSTEM = AL HAJAR UL ASWAD"

s - "ARK ( of the Covenant) + SOLOMON TEMPLE AREA +

+ SWASTIKA = 6512 + 6688"

t - "(151302 - 131318) - ( 151301 - 151204) - SWASTIKA = 9886",

u - (151204 - 131218) - ( 15304 - (151204) - SWASTIKA = 9886"

v - "131318 - 131218 + 9886 + JESUS + CHRIST = SWASTIKA"

Notes: Look now very attent to Samples "t", "u" and "v".

(1) - In Samples "t"and "u" you have the image of "9886" that in Part 1

I have shown that it was tied in the 9/11/201 Effect. Now you see it

again appearing as relatted to Leonardo Da Vinci's painting

"THE LAST SUPPER".

(2) - In Sample "v" you see the reintroduction of JESUS and CHRIST

into the Coordonation, and realize that when joined with "9886"

it indicates SWASTIKA.(the number 10,000)

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PHILOSOPHICAL OPINIONS OF A SELFEDUCATTED

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As seen herein above it appears that the 9/11/2001 Effect

as also the Leonardo Da Vinci's painting "THE LAST SUPPER"

are indicating "THE CODE 9886".

Did the DESIGNER of Leonardo Da Vinci's "THE LAST SUPPER"

wanted to tell us something about AN EVENT that shall TAKE PLACE,

or SHALL CHANGE the Earth, that we see it again REPEATING

in the 9/11/2001 Effect ?

Who was the Designer of the painting?

From all we know it is the fact that two early copies are known

to exist, and they are atributted to Leonardo Da Vinci's ASSISTANT.

Who was this ASSISTANT ?

Was he a Jew who knew all SECRETS I have read from the Design

of the painting, or was he under the guidance and controll of

Other High Learned scholars of 15 th century AD, or

UNSEEN FORCES

guided this "ASSISTANT" of Leonardo to Design this painting ?

As the Level of Knowledge of the painting prooves to be a Product

of an High Intellectual, myself as researcher ,

based on the Events in which not only ME, but also my Dead Mother appears involved, concludes that the Design of this painting it has as Source

UNSEEN SPIRITUAL FORCES.

UNSEEN SPIRITUAL FORCES

appears that have guided all my life since the childhood:

First Sample

As I remember from my grandmother,

when I was born in a home at EXACTLY MIDNIGHT between

November 10 and Nov 11 1949,

the thunders were so high that while some women

were pulling me out from my mother,

and others were making the cross sign over them

remarking: "This is a Sign from God. Who shall be this child?"

Second Sample

As I finished the then 7 clases of General School

in the Hamlet of Pirsani, Village of Pielesti, county of Dolj, Romania

I then went to a school of Tractor Drivers. By the age of 18

I went voluntar in the Roumanian Army, and being Discharged

at 18 1/2, I then went to Bucharest

where I realized that I have to study. After finishing my first year

to a Medium School in back of a cemetery

in a section of city called Giulesti,

I then gave up to study in evening and moved to work

as Boiler Man at then Sala Comedia

of the Romanian National Theatre, and registered to study myself

and go to Written Examninations at the Lycee

"Gheorghe Lazar" locatted on a corner of Park Cismigiu.

But as it happened my teenage love with poetry,

it was so powerfull that writing poetry

it was for me more important then to learn .

Among the First not to like to learn

it was of course MATHEMATICS.

And when my first Written Examination came out

and in the same day the literary magazine

"ROMANIA LITERARA"

has published two of my small poetries,

and the actor Emil Botta was going

to Sala Comedia and showing from actor-to-actor that

"the maestro" Ion Vulcanescu is published on page 2,

and "the Great Poet " Dan Desliu is in back on him on page 3,

when I went to such Written Mathematical Examination

I was so happy, than my mind

did not want at all to tink of MATHEMATICS.

..and so when the Written Mathematical Text was given to me,

realizing that I did not know anything,

I just signed my name on such Written Mathematical Test,

and gave back to the Examinator, an old Professor,

who after looking "with admiration" to my Signature declared:

" Mr Vulcanescu I do not see any mathematics written on your paper,

but just your name "ION VULCANESCU". For your name

I even can not give you "ZERO", but just A POINT. And as A POINT

has the same Value as ZERO, I am today kind to you and give you ZERO.

I hope that someday YOUR NAME may mean something.."

...and from such time I realized that I shall dedicate my life

to find out what was "THE POINT.

And as the years passed one-by-one I found such "POINT".

It was

THE ANCIENTS GEOMETRIC POINT

which you can see it at:

http://mathforum.org/kb/thread.jspa?threadID=1106414&tstart=360

..and it happened again:

It was March 1 1978, my first day in United States

when walking on 5th Avenue at Rockefeller Center

a lady named Dafina Roll remarked that

" The Americans have everyting

it remained only to come someone to lett them know

what is THE POINT"

Third Sample

As with respect to my name " ION VULCANESCU"

although you saw it few times appearing

see now these two "appearings"

(13 (humans of "THE LAST SUPPER" + DECIMAL SYSTEM) +

+ ( 11 (Windows of "THE LAST SUPPER") +

+ AL AHAJR UL ASWAD + THE NATURAL GEOMETRIC

PI VALUE + SOLOMON TEMPLE = ION VULCANESCU"

(SWASTIKA x DECIMAL SYSTEM) - SOLOMON TEMPLE -

- ALPHABET + DECIMAL SYSTEM) = ION VULCANESCU"

...and so has THEN

THE UNSEESN SPIRITUAL FORCE

spoken to LEONARDO DA VINCI !

...and so is NOW

THE UNSEEN SPIRITUAL FORCE

speaking to...ION VULCANESCU !

But as

THE CROOKS AND CHARLATANS

of USA Universities and USA National Academy of Sciences

CATEGORICALLY REFUSE TO ACCEPT

that a Selfeducated is able to make Important Discoveries,

for that having a Selfeduacted not only a Equal of them

but A BETTER THEN THEM

would be AN INSULT TO THEIR NOSE UP.

Well, in the same way that

a black american called BARACK OBAMA

rised up and challenged the United States

until he became President of the United States

so it is this "blacklisted" by them ION VULCANESCU

challenging "THE ESTABLISHMENT" presenting to civilization

THE FALSIFICATION OF THE ACIENTS PI VALUE

BY THE FRENCH ACADEMY OF SCIENCES,

and the now Cover up of this shamefull and dishonorable act of the French Academy of Sciences

by the USA Universities,

by the USA National Academy of Sciences,

and THE USA CONGRESS.

See the Mathematical Proof of this Falsification in the article:

http://mathforum.org/kb/thread.jspa?threadID=1915204&tstart=0

and Other Relatted Prooves in the articles:

http://mathforum.org/kb/thread.jspa?threadID=1106406&tstart=315

http://mathforum.org/kb/thread.jspa?threadID=1106407&tstart=315

http://mathforum.org/kb/thread.jspa?threadID=1106408&tstart=315

http://mathforum.org/kb/thread.jspa?threadID=1106409&tstart=315

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DO YOU HEAR THE CRY OF THE ESTABLISHMENT ?

...JUST WAIT AMERICA for that

the presentation of Leonardo Da Vinci's Mathematical Codes of "THE LAST SUPER" continues

and this former "Romanian Pacala" (Pokalla)

now AN AMERICAN PACALA

has more under his sleeves !

-----------------------------------

Signed:

Ion Vulcanescu - Philosopher

Independent Researcher in Geometry

Author, Editor and Publisher of

THE AMERICAN CIVILIZATION'S GEOMETRY

March 19 2010

Hurleyville

Sullivan County

State of New York

THE UNITED STATES OF AMERICA