Search All of the Math Forum:
Views expressed in these public forums are not endorsed by
Drexel University or The Math Forum.


Posts:
150
Registered:
3/25/08


Leonardo Da Vinci's Mathematical Codes of "THE LAST SUPPER" ( Part 5)
Posted:
Mar 20, 2010 2:45 PM


Copyrights 2010 by Ion Vulcanescu.  WELCOME to the newest branch of the science: THE MATHEMATICAL ANTHROPOLOGY !  This article presents the Mathematical Codes hidden in the seating of the 13 Humans seen sitting to the table in the Leonardo Da Vinci's painting "THE LAST SUPPER".
I have discovered these Time Mesages when I took a look to the FREQUENCIES of each Human, and to Interrelations between these FREQUENCIES.
Although the painting "THE LAST SUPPER" presents the seating of the Humans IN THE KNOWN ORDER:
"Bartolomew, James, Andrew, Judas, Peter, John, Jesus Christ Thomas, James, Philip, Matthew, Jude Thaddeus and Simon,"
due to the Double Encoding of JUDE THADDEUS we have to see not 13 Humans but 26 Humans SEATTED UNDER TWO ROWS which appears due to the Double Personification of:  JESUS (7) CHRIST (20), and  JUDE(12) THADEUS (25) each having Two Positions:
FIRST ROW (1) Bartolomew, (2) James, (3) Andrew, (4) Judas, (5) Peter, (6) John, (7) JESUS , (8) Thomas, (9) James, (10) Philip, (11) Matthew, (12) JUDE, (13) Simon, and
SECOND ROW (14) Bartolomew, (15) James, (16) Andrew, (17) Judas, (18) Peter, (19)John, (20)CHRIST, (21) Thomas, (22) James, (23)Philip, (24) Matthew, (25) THADDEUS, (26 )Simon.
Observe that the Humans are Encoded as being not 13 but 26 , as also the Alphabet has 26 letters, but read the WARNING of bellow !
WARNING ! In order to understand the TimeMessages "JESUS CHRIST" must be "removed" from among the "apostles" in both First and Second Rows, but you shall see that even HE is "removed" HE in fact appears timeandagain in coordonations.
Be patient, in the following articels YOU SHALL SEE THE IMPORTANCE OF HAVING JESUS CHRIST "REMOVED" FROM AMONG HIS "APOSTLES".  Please, be advised that this article contains not only the Research Data, but also my Opinions of philosopher, both fully protected by the Federal Laws of the United States, and by the International Copyrights Laws. If you intend to use partial, or total this Research Data, you can use it by the Fair Uses Rights of the Copyrights Laws, or by the Grant I have indicatted in the Copyrights Notice of THE AMERICAN CIVILIZATION'S GEOMETRY that can be found at the end of the article: "The Condemnation by the Paris Livre of the French Academy of Sciences" http://mathforum.org/kb/thread.jspa?threadID=1236573&tstart=0 or ask the Mathforum for Permission in writing.  The Understanding of the Research Data of this article requires familiarization with Ion Vulcanescu's prior Research Data of the articles of THE AMERICAN CIVILIZATION'S GEOMETRY that can be found on Mathforum at: http://mathforum.org/kb/forum.jspa?forumID=413  As hereandthere may be typing, or other errors this article shall be continuu corrected and reeditted until it shall remain fidel to the intended form.
Due to this Effect the interested researchers who shall reach this article either as subscribers to Mathforum, or through an Internet Search Engine shall allways return to http://mathforum.org/kb/forum.jspa?forumID=413 and consider only the last corrected edition.  As the Research data is ample and requeires large writing space it shall ONLY BE PARTIAL DECODED in this article, and for Copyright Security Reason it shall be presented with few explanations, and with, or without THE SPIRITUAL PLUGS.
The Real Values of the Words ARE WITH INTENTION KEPT UNPUBLISHED as they may be published in a future possible book, or I shall return to Mathforum in the future years, and fully present them.
Considering that you were Warned that the understanding of this Research data requires familiarization with the prior published articles, and as the majority of the Numerical Codes herein seen were already explained in the before published articles, this article shall not explain them again.  SECTION A  ...and having JESUS CHRIST "removed" from among the Humans seatted to the table we hand up with the following views.
Please be advised that the following views of the Frequencies are badsed on the Mathematical Models through which I have passed the 12 "apostles".
These Frequencial Views are just some of many obtained :
Step1 FIRST ROW POSITIVE POSITIONAL FREQUENCY = 27792 FIRST ROW NEGATIVE POSITIONAL FREQUENCY = 6512
Step 2 SECOND ROW POSITIVE POSITIONAL FREQUENCY =27616 SECOND ROW NEGATIVE POSITIONAL FREQUENCY = 6688
Step 3 FIRST ROW ENCODED POSITIVE SITTING ORDER = 151204 FIRST ROW ENCODED NEGATIVE SITTING ORDER = 131218
Step 4 SECOND ROW POSITIVE SITTING ORDER = 151304 SECOND ROW NEGATIVE SITTING ORDER= 131318
Step 5 FIRST ROW POSITIONAL VALUE = 85 SECOND ROW POSITIONAL VALUE = 86
Step 6 FIRST ROW ALPHABETICAL FREQUENCY = 92 FIRST ROW POSITIVE (U/L) FREQUENCY = 14450 FIRST ROW NEGATIVE (U/L) FREQUENCY = 1970 FIRST ROW POSITIVE (U/L) FREQUENCY = 16928 FIRST ROW NEGATIVE (U/L) FREQUENCY = 608
Step 7 SECOND ROW ALPHABETICAL FREQUENCY = 93 SECOND ROW POSITIVE (U/L) FREQUENCY = 14792 SECOND ROW (U/L FREQUENCY = 2044 SECOND ROW POSITIVE (U/L) FREQUENCY = 17298 SECOND ROW NEGATIVE (U/L) FREQUENCY = 618  SECTION B  Step 1 The research of the Numerical Sequence indicates that although the Seating it is seen as in painting, the DESIGNER of the painting intended that at a later time the Decoder to see the Really Seating. He appears that based his Design on the intuition that SOMETIME IN THE FUTURE TIME shall be born a human who shall understand his Design. ...and here is the view of the Desing of "THE LAST SUPPER":
FIRST ROW ( as SEEN in painting) 2 + 3 + 1 = 6 6 + 5 + 4 = 15 9 + 10 + 8 = 27 14 + 12 + 11 = 37 TOTAL = 6 + 15 + 27 + 37 = 85 ...and we can see:  POSITIONAL VALUE = 85  POSITIVE POSITIONAL FREQUENCY = 27792  NEGATIVE POSITIONAL FREQUENCY = 65112  POSITIVE SITTING ORDER = 151204  NEGATIVE SITTING ORDER = 131218  ALPHABETICAL FREQUENCY = 92  POSITIVE (U/L) FREQUENCY = 14450  NEGATIVE (U/L) FREQUENCY =1970  POSITIVE (U/L) FREQUENCY =16928  NEGATIVE ( U/L) FREQUENCY = 608
SECOND ROW ( as Spiritually Encoded and NOT SEEN in Painting) 2+3+1 = 6 6 + 5 + 4 = 15 9 + 10 + 8 = 27 14 + 13 + 11 = 38 TOTAL = 6 + 15 + 27 + 38 = 86 ...and now we can see:  POSITIONAL VALUE = 86  POSITIVE POSITIONAL FREQUENCY =27616  NEGATIVE POSITIONAL FREQUENCY =6688  POSITIVE SITTING ORDER= 151304  NEGATIVE SITTING ORDER = 131318  ALPHABETICAL FREQUENCY = 93  POSITIVE (U/L) FREQUENCY =14792  NEGATIVE (U/L) FREQUENCY = 2044  POSITIVE ( U/L) FREQUENCY= 17298  NEGATIVE (U/L) FREQUENCY = 618
Step 2 Now let's create THE GEOMETRIC POINT of each Row:
FIRST ROW 85 x 4 = 340
SECOND ROW 86 x 4 = 344  SECTION C  Now let's read the Design: (In this Design The Natural Geometric PI Value it is encoded through the 162 Sumerian Fingers and Grains).
a  " (SWASTIKA : DECIMAL SYSTEM) 340  344 = 316"
Note: Remember my former Research Data call that you to keep your eyes on THE CODE 316 !
b  "SOLOMON TEMPLE  THE NATURAL GEOMETRIC PI VALUE   ALPHABET = 316"
c  "( SOLOMON TEMPLE AREA : SOLOMON TEMPLE PERIMETER) : : JESUS CHRIST = SOLOMON TEMPLE /THE NATURAL GEOMETRIC PI VALUE "
Note: Do not laugh or be confused of the appearition of JESUS CHRIST as relatted to THE SOLOMON TEMPLE. In a former article I have indicatted that the research seems to indicate that at its origin the Christianitity had THE OLD HEBREWS Spiritual Input.
d  (151304  151204 + 10) + ( 434 + 10) = 554"
e  (13138  344) ( 131218  340)  55 = 41"
Notes: Here you see encoded "55" as the 55 years of Exile of the Gerizim Tribes, and in "41" you see the JOSEPHUS ROULETE' s 41 Jewish Fighters explained in former articles here on Mathforum.
f  (((340 1) + (344 1)) + (316 : 2))) x 4 = 3360
Notes: Look to "3360" for that it is also THE GEOMETRIC POINT of 9/11/2001. Do not take it as a "coincidence" for that IT IS NOT. This view is just a part of THE DESTRUCTIVE EFFECT of the Humans and Non Humans discovered by me as being THE SPIRITUAL LOCKED time message of the designers of Judaism, Buddhism, Christianity, and Islam.
g  (85 + 86 + 1)  DECIMAL SYSTEM = THE NATURAL GEOMETRIC PI VALUE = 162"
h  (27792 + 6512) = (27616 + 6688) = 34304
Note: observe THE EQAULITY of THE FIRST ROW, and THE SECOND ROW, herein seen as "34304"
i  (34304  33133  1) x 4 = 3360"
Note: See Sample "i" of above. Here you see again THE GEOMETRIC POINT of 9/11/2001.
j  (33133  1) + 434 + (( 27792 + 6512) + ( 27616 + 6688)  2012 AD   THE NATURAL GEOMETRIC PI VALUE = SWASTIKA"
k  " 5772  ( 26 x 4) + 34304 = (151204  131218) + ( 151304  131318)"
Note: "5772 = the year 2012 in the Old Hebrews Calendar.
l  "9886 + ((26 1) x 4)) + SWASTIKA = ( 151204  131218) = = (151304  131318)"
Note: The "9886" was explaind in Part 1 and Part 2, as it appears MANY TIMES the Coordonations as it is relatted to 9/11/2001. Now you see it again appearing !
m  "(2044  1970) x ( 618  610) = AL HAJAR UL ASWAD"
n  "9 AL HAJAR UL ASWAD  1)  ( 316 + 1)  ( ALPHABET x x DECIMAL SYSTEM ) = THE NATURAL GEOMETRIC PI VALUE "
o  " (14792  14450  ALPHABET) = 316"
p  "(17798  ALPHABET  1)  ( 16928 + ALPHABET + 1) = 316"
q  6 "512  5772 = AL HAJAR UL ASWAD"
r  "6512 + 888  DECIMAL SYSTEM = AL HAJAR UL ASWAD"
s  "ARK ( of the Covenant) + SOLOMON TEMPLE AREA + + SWASTIKA = 6512 + 6688"
t  "(151302  131318)  ( 151301  151204)  SWASTIKA = 9886",
u  (151204  131218)  ( 15304  (151204)  SWASTIKA = 9886"
v  "131318  131218 + 9886 + JESUS + CHRIST = SWASTIKA"
Notes: Look now very attent to Samples "t", "u" and "v". (1)  In Samples "t"and "u" you have the image of "9886" that in Part 1 I have shown that it was tied in the 9/11/201 Effect. Now you see it again appearing as relatted to Leonardo Da Vinci's painting "THE LAST SUPPER". (2)  In Sample "v" you see the reintroduction of JESUS and CHRIST into the Coordonation, and realize that when joined with "9886" it indicates SWASTIKA.(the number 10,000)  PHILOSOPHICAL OPINIONS OF A SELFEDUCATTED  As seen herein above it appears that the 9/11/2001 Effect as also the Leonardo Da Vinci's painting "THE LAST SUPPER" are indicating "THE CODE 9886".
Did the DESIGNER of Leonardo Da Vinci's "THE LAST SUPPER" wanted to tell us something about AN EVENT that shall TAKE PLACE, or SHALL CHANGE the Earth, that we see it again REPEATING in the 9/11/2001 Effect ?
Who was the Designer of the painting?
From all we know it is the fact that two early copies are known to exist, and they are atributted to Leonardo Da Vinci's ASSISTANT.
Who was this ASSISTANT ?
Was he a Jew who knew all SECRETS I have read from the Design of the painting, or was he under the guidance and controll of Other High Learned scholars of 15 th century AD, or UNSEEN FORCES guided this "ASSISTANT" of Leonardo to Design this painting ?
As the Level of Knowledge of the painting prooves to be a Product of an High Intellectual, myself as researcher , based on the Events in which not only ME, but also my Dead Mother appears involved, concludes that the Design of this painting it has as Source UNSEEN SPIRITUAL FORCES.
UNSEEN SPIRITUAL FORCES appears that have guided all my life since the childhood:
First Sample As I remember from my grandmother, when I was born in a home at EXACTLY MIDNIGHT between November 10 and Nov 11 1949, the thunders were so high that while some women were pulling me out from my mother, and others were making the cross sign over them remarking: "This is a Sign from God. Who shall be this child?"
Second Sample As I finished the then 7 clases of General School in the Hamlet of Pirsani, Village of Pielesti, county of Dolj, Romania I then went to a school of Tractor Drivers. By the age of 18 I went voluntar in the Roumanian Army, and being Discharged at 18 1/2, I then went to Bucharest where I realized that I have to study. After finishing my first year to a Medium School in back of a cemetery in a section of city called Giulesti, I then gave up to study in evening and moved to work as Boiler Man at then Sala Comedia of the Romanian National Theatre, and registered to study myself and go to Written Examninations at the Lycee "Gheorghe Lazar" locatted on a corner of Park Cismigiu.
But as it happened my teenage love with poetry, it was so powerfull that writing poetry it was for me more important then to learn .
Among the First not to like to learn it was of course MATHEMATICS. And when my first Written Examination came out and in the same day the literary magazine "ROMANIA LITERARA" has published two of my small poetries, and the actor Emil Botta was going to Sala Comedia and showing from actortoactor that "the maestro" Ion Vulcanescu is published on page 2, and "the Great Poet " Dan Desliu is in back on him on page 3, when I went to such Written Mathematical Examination I was so happy, than my mind did not want at all to tink of MATHEMATICS.
..and so when the Written Mathematical Text was given to me, realizing that I did not know anything, I just signed my name on such Written Mathematical Test, and gave back to the Examinator, an old Professor, who after looking "with admiration" to my Signature declared:
" Mr Vulcanescu I do not see any mathematics written on your paper, but just your name "ION VULCANESCU". For your name I even can not give you "ZERO", but just A POINT. And as A POINT has the same Value as ZERO, I am today kind to you and give you ZERO. I hope that someday YOUR NAME may mean something.."
...and from such time I realized that I shall dedicate my life to find out what was "THE POINT. And as the years passed onebyone I found such "POINT".
It was THE ANCIENTS GEOMETRIC POINT which you can see it at: http://mathforum.org/kb/thread.jspa?threadID=1106414&tstart=360
..and it happened again: It was March 1 1978, my first day in United States when walking on 5th Avenue at Rockefeller Center a lady named Dafina Roll remarked that " The Americans have everyting it remained only to come someone to lett them know what is THE POINT"
Third Sample As with respect to my name " ION VULCANESCU" although you saw it few times appearing see now these two "appearings"
(13 (humans of "THE LAST SUPPER" + DECIMAL SYSTEM) + + ( 11 (Windows of "THE LAST SUPPER") + + AL AHAJR UL ASWAD + THE NATURAL GEOMETRIC PI VALUE + SOLOMON TEMPLE = ION VULCANESCU"
(SWASTIKA x DECIMAL SYSTEM)  SOLOMON TEMPLE   ALPHABET + DECIMAL SYSTEM) = ION VULCANESCU"
...and so has THEN THE UNSEESN SPIRITUAL FORCE spoken to LEONARDO DA VINCI !
...and so is NOW THE UNSEEN SPIRITUAL FORCE speaking to...ION VULCANESCU !
But as THE CROOKS AND CHARLATANS of USA Universities and USA National Academy of Sciences CATEGORICALLY REFUSE TO ACCEPT that a Selfeducated is able to make Important Discoveries, for that having a Selfeduacted not only a Equal of them but A BETTER THEN THEM would be AN INSULT TO THEIR NOSE UP.
Well, in the same way that a black american called BARACK OBAMA rised up and challenged the United States until he became President of the United States so it is this "blacklisted" by them ION VULCANESCU challenging "THE ESTABLISHMENT" presenting to civilization THE FALSIFICATION OF THE ACIENTS PI VALUE BY THE FRENCH ACADEMY OF SCIENCES, and the now Cover up of this shamefull and dishonorable act of the French Academy of Sciences
by the USA Universities, by the USA National Academy of Sciences, and THE USA CONGRESS.
See the Mathematical Proof of this Falsification in the article: http://mathforum.org/kb/thread.jspa?threadID=1915204&tstart=0 and Other Relatted Prooves in the articles: http://mathforum.org/kb/thread.jspa?threadID=1106406&tstart=315 http://mathforum.org/kb/thread.jspa?threadID=1106407&tstart=315 http://mathforum.org/kb/thread.jspa?threadID=1106408&tstart=315 http://mathforum.org/kb/thread.jspa?threadID=1106409&tstart=315  DO YOU HEAR THE CRY OF THE ESTABLISHMENT ?
...JUST WAIT AMERICA for that the presentation of Leonardo Da Vinci's Mathematical Codes of "THE LAST SUPER" continues and this former "Romanian Pacala" (Pokalla) now AN AMERICAN PACALA has more under his sleeves !  Signed: Ion Vulcanescu  Philosopher Independent Researcher in Geometry Author, Editor and Publisher of THE AMERICAN CIVILIZATION'S GEOMETRY
March 19 2010
Hurleyville Sullivan County State of New York THE UNITED STATES OF AMERICA


Date

Subject

Author

3/21/10



12/10/11




