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"ionvulcanescu"

Posts: 125
Registered: 3/25/08

Leonardo Da Vinci's Mathematical Codes of " THE LAST SUPPER", and "MONA LISA" (Part 11)
Posted: Apr 2, 2010 11:02 PM

Plain Text

Copyrights 2010 by Ion Vulcanescu.
-------------------------------------------------
WELCOME to the newest branch of the science:
THE MATHEMATICAL ANTHROPOLOGY !
---------------------------------------------------
This article presents Leonardo Da Vinci's
Mathematical Codes of the paintings called
"THE LAST SUPPER", and "MONA LISA" hidden in
THE INTERRELATIONS BETWEEN THEIR SIZES, and
it Mathematically Signal the existence of
ANOTHER 3rd UNKNOWN PAINTING of Leonardo Da Vinci
existing ONLY AS SPITIUAL
that in this research shall be encoded as "3M"
symbolizing the "3 Mouths",
a painting that is DIRECT RELATTED to Leonardo Da Vinci use of
THE CONCEPT OF MOUTH
described in of a Part 9 of this serie of articles where I have also
described these "3 MOUTHS". See this article at:
http://mathforum.org/kb/thread.jspa?threadID=2056395&tstart=0

This article it Mathematicaly and Historically Signals
that by Leonardo Da Vinci era in time
THE THEN EUROPEAN SCIENTISTS AND ARTISTS
KNEW OF SUMER, and of
THE SUMERIAN NATURAL GEOMETRIC PI VALUE " 3.146264369..."
its separation in 162 FINGERS (for Length), and Grains ( for Weight),
and that what happened in the Europe with
THE SUPRESSING OF THIS NATURAL GEOMETRIC PI VALUE
it was A FALSIFICATION OF UNTOLD PROPORTIONS
OF THE CIVILIZATION'S HISTORY, and
OF THE SCIENCE OF MATHEMATICS,
as to match the Vatican Political Inquistion Era Intereses,
and the then Antisemetic Efforts of the erassing of
THE OLD HEBREWS MILLENIA OLD BODY OF KNOWLEDGE
whose Highest Symbol of their Existence in time
it reads their High Spiritual Level:
"SOLOMON TEMPLE = THE NATURAL GEOMETRIC PI VALUE"
---------------------------------------
Please, be advised that this article contains not only the Research
Data, but also my Opinions of philosopher,
both fully protected by the Federal Laws of the United States,
and by the International Copyrights Laws. If you intend to use partial,
or total this Research Data, you can use it by the Fair Uses Rights
of the Copyrights Laws, or by the Grant I have indicatted in
the Copyrights Notice of
THE AMERICAN CIVILIZATION'S GEOMETRY
that can be found at the end of the article:
"The Condemnation by the Paris Livre
of the French Academy of Sciences"
http://mathforum.org/kb/thread.jspa?threadID=1236573&tstart=0
or ask the Mathforum for Permission in writing.
-----------------------------------
The Understanding of the Research Data of this article
requires familiarization with Ion Vulcanescu's
prior Research Data of the articles of
THE AMERICAN CIVILIZATION'S GEOMETRY
that can be found on Mathforum at:
http://mathforum.org/kb/forum.jspa?forumID=413
-------------------------------------
As here-and-there may be typing, or other errors
this article shall be continuu corrected and reeditted
until it shall remain fidel to the intended form.

Due to this Effect
the interested researchers who shall reach this article
either as subscribers to Mathforum, or through an Internet
Search Engine shall allways return to
http://mathforum.org/kb/forum.jspa?forumID=413
and consider only the last corrected edition.
------------------------------------
As the Research Data is ample and requires large writing space
it shall be ONLY PARTIAL DECODED in this article
and for Copyright Security Reason
it shall be presented only with few explanations, and with,
or without THE SPIRITUAL PLUGS.

The Real Values of the Words
ARE WITH INTENTION KEPT UNPUBLISHED
as they may be published in a future possible book,
or I shall return to mathforum in future years,
and fully present them.

Considering that you were already Warned that the understanding
of this Research Data requires familiarization
with the prior published articles, and
as the majority of the Numerical Codes herein seen
were already explained in the before published articles
this article shall not explain them again.
-----------------------------------
INTRODUCTION
---------------------------------
The STARTING POINT of the research of a possible hidden Time-Message
in the Leonardo Da Vinci paintings 'THE LAST SUPPER" and " MONA LISA"
begun when I realized THE MISERABLE PRESENTATION
of the sizes of these paintings.

For"THE LAST SUPPER" , I found sizes in French Centimeters as
"460 x 880 " and in English Inches as "181 x 346". Then as I kept researching
again I ended up in other sizes as "450 x 870 cm, or "15 x 29 fet, and

For"MONA LISA" I found sizes as "77 x 53 cm", or 30 x 21 inches".

As by this time I ALREADY KNEW that
THE GEOMETRICAL EXACTITUDE
of both THE FRENCH METRE
as also THE BIRTISH FOOT were
A SHAME AND DISHONOUR FOR THE FRENCH SCIENTISTS, as also
A SHAME AND DISHONOUR FOR THE BRITISH SCIENTISTS,
I immediate realized that THERE MUST BE SOMETHING HIDDEN
in the sizes of these paintings.

See for yourself THE GEOMETRICAL ERROR of the French Metre
in the article:
http://mathforum.org/kb/thread.jspa?threadID=1106408&tstart=315
and THE GEOMETRICAL ERROR of the British Foot
in the articles:
http://mathforum.org/kb/thread.jspa?threadID=1106512&tstart=225
http://mathforum.org/kb/thread.jspa?threadID=1106555&tstart=225
then knowing these ERRORS, see the SIGNALS that
THE EARLIER EUROPEAN SCIENTISTS
have lett for us - the future generations of after them
in THE PARIS LIVRE in the article:
http://mathforum.org/kb/thread.jspa?threadID=1236573&tstart=90
and end this research through the articles:
http://mathforum.org/kb/thread.jspa?threadID=1915204&tstart=0
http://mathforum.org/kb/thread.jspa?threadID=1106407&tstart=315
http://mathforum.org/kb/thread.jspa?threadID=2046187&tstart=0
where through a Draw of Inscribed and Circumscribed Squares to a Circle
I have shown THE MATHEMATICAL NUMERICAL ERROR
of the PI Values now Politically Convenient imposed over Civilization,
and also see there THE MATHEMATICAL EXACTITUDE OF
THE SUMERIAN NATURAL GEOMETRIC PI VALUE.

...and you do not have to believe me, just see for yourself !

Having then realized that the sizes of "THE LAST SUPPER" and
"MONA LISA" given to me - as to an Idiot - through the French Metre,
and through the British nowdays Foot were not telling the sizes of
these two paintings of Leonardo Da Vinci, I started
to philophically meditate to how I could read these sizes.

1st Observation
From the begining, what I sensed it was that even the sizes were wrong
THE SAME UNIT OF LENGTH was used for both METRE and FOOT sizes.

2nd Observation
The sizes of "THE LAST SUPPER" were given in FET (15 x29),and the sizes
of "MONA LISA" were given in INCHES (181 x 346).
This indicate to me "FOOT : 12 = INCH"

3rd Observation
When one look to a SQUARE or RECTANGLE you have to know just
TWO SIZES, seen by me as TOP SIZE and SIDE SIZE. This philosophical
observed Fact remembered to me my Early Years of Researcher when I realized
that I can break the Circle from a Top Point, spread its Circumference, and
end up in a Triangle where the Circle's Circumference was the Base,
and the Radius was the Altitude, and I could see the Circle's Area
as a Triangle Area by a "known but not accepted " Mathematical Exactitude
"(Base x Altitude) : 2 = (2PI x R) : 2 = PIx (R x R) "

I have published this Research Data during 1990 in the book:
"THE POINT'S PYRAMIDAL EFFECT"
Copyrights 1990 by Ion Vulcanescu
US Library of Congress # TXu 399-631
It can be found in the US Library of Congress as also
it is now on the shelves of academies of sciences as such:
France, England, Sweden, Australia, Japan , Romania, etc.

It is one of the books which was considered during 1991
by a Team of NASA Senior Engineers
to call on THE WHITE HOUSE that the US National Academy of Sciences
to be asked to investigate the research.

UNBELIEVABLE !
These NASA Senior Engineers had the guts to ask that
THE AMERICAN ACADEMICIANS
to Investigate the work of
A SELEFEDUCATED ROMANIAN IMMIGRANT?

What a Shame !

Of course like anything it is NEW and AGAINST
THE ACADEMIC AMERICAN EXTABLISHEMENT,
they were ...SILLENCED !

This philosophical Seen Aspect drove me to observe a possible hint:
"What if Leonardo Da Vinci - knew before me this Aspect- and
I have to look to Each Painting to just the TOP SIZE and SIDE SIZE?"

...and then what started to come out
IT WAS LIKE A SPIRITUAL AVALANCHE !
-------------------------------------
SECTION A - "THE LAST SUPPER"
-------------------------------
1st Step
Change "THE LAST SUPER" sizes from FET to INCHES:
( a) 29 fet x12 = 348 inches, and
(b) 15 fet x 12 = 180 Inches

2nd Step
Draw the sizes of "THE LAST SUPPER" in INCHES:
Draw a Horizontal Rectangle of sizes "348 x 180", and
mark Topside as 348 inches and Rightside as 180 inches.

3rd Step
Starting from Topleftside Corner draw a Rectangle Diagonal to
the Bottomrightside Corner.

Now go to "MONA LISA" painting !
---------------------------
SECTION B - "MONA LISA"
-----------------------------
1st Step
Draw a Vertical Rectangle and mark its sizes as;
Topside = 21 inches
Rightside = 30 inches.

2nd Step
Again draw its Diagonal as to
the 3rd Step of "THE LAST SUPPER".

Now go to the Spiritual Painting "3 M" ( 3 Mouths) !
---------------------------
SECTION C - 3 MOUTHS (the Spiritual Painting)
-------------------------
1st Step
Draw a Vertical Rectangle of sizes ."5 x 2.5"
Do you remember what I have described in Part 9 that it was
"THE LAST SUPPER" painting in the Concept of "3 Mouths" ?
If you do not remember, again go to Part 9, see there was it was
described as ".5" and "2.5" and then come back here
See Part 9 by clicking on this link:
http://mathforum.org/kb/thread.jspa?threadID=2056395&tstart=0
Mark Top side as of .5 length, and Rightside as 2.5 length.
DO NOT QUESTION WHAT TYPE OF UNITS ARE THESE
just mark the sizes with the indicated numbers.

2nd Step
...and again draw it Diagonal as indicatted to SECTION A, Step 3.
----------------------
SECTION D
--------------------
Now we shall calculate the sum of both sizes of each painting :

1st Step
(a) "THE LAST SUPPER"
348 + 180 = 528 inches ( for Top Side and Right Side only)

(b) "MONA LISA"
21 + 30 = 51 inches ( for Topside and Right Side only)

(c) "3 MOUTHS"
.5 + 2.5 = 3 inches ( for Top Side and Right Side only)

2nd Step
Now let's add them up by the Mathematical Model I have discovered
as have been used by Leonardo Da Vinci:
"(THE LAST SUPER - MONA LISA) + 3 MOUTHS = 480"

...and this Mathematical Model you already have it under your eyes as:
" (528 - 51) + 3 = 480"

3rd Step
Now divide by " THE DECIMAL SYSTEM" as:
"(528 - 51) + 3 )) : DECIMAL SYSTEM = 48"

Now let' go "hunt" for this 48 !
-----------------------------
SECTION E
-----------------------
1st Step
We see this "48" in "THE LAST SUPPER" as:
((11 + 13) + (13 + 11)) = 48"

...and again, if you do not understand what is this Expression
go back top Part 9 where you shall see that it is A MOUTH seen as:
" 11 ( Windows) + 13 (Humans at table) +
+ 13 Humans at table) + 11 Windows = 48"
that " AS MOUTH = 48" you see it as:
"UPPER LIP + UPPER TEETS +
+ LOWER TEETS + LOWER LIP = MOUTH"

2nd Step
Now shall go ahead and see the Relation of this "48" to
THE NATURAL GEOMETRIC PI VALUE " 3.146264369...
but first we must see
THE ONLY GEOMETRIC UNIT OF LENGTH

3rd Step
Draw a Circle of Radius = One.
Draw an Hexagon inside of Circle.
Observe that Multiplying the Hexagon size ( 6) by 1.111...
you see a numerical value as "6.6666..."
What it is this "1.111..." I have explained in the article:
http://mathforum.org/kb/thread.jspa?threadID=1106406&tstart=315
Researching this article you shall realize
THE SUPERIORTY OF THIS CONCEPT
over "THE CALCULUS" since this "1.111..." comes direct from
THE CALCUS ERROR called
the CALCULUS ASSUMING CONCEPT where
A PART OF THE PI VALUE
it is "mathematicaly thrown away" as "NON IMPORTANT".

4th Step
(a) Draw a Cube of edge 2
(b) Observe that it has 6 Faces, and on each face it is Inscribed
THE CIRCLE of Radius = ONE of 3rd Step.
(c) Observe that if each circle has an Hexagon
that when multiplied by 1.111... now you have 6 faces, thus
6.6666 x 6 = 40
(d) Do you remmber that in JOSEPHUS ROULETE THE NUMBER "40"
IT WAS EXECEPTED"
See the JOSEPHUS ROULETE description in the articles :
http://mathforum.org/kb/thread.jspa?threadID=1991055&tstart=0
http://mathforum.org/kb/thread.jspa?threadID=2014283&tstart=0
where the number "40" it was indicated in the 2nd article.
(d) Now calculate the Base Diagonal and Volume Diagonal
of this Cube. You have a Base Diagonal that it is
SQUARE ROOT FROM "8", and a Volume Diagonal that it is
SQUARE ROOT FROM "12"

5th Step
Now look to how ".5" and "2.5" appears "as relatted":
(a) (528 - 51) + 3 : DECIMAL SYSTEM = 48 = 40 + 4"
( See explanations in SECTION D, Step s 1 thru 3)
(a) (8 + 12) : 40 = .5
(b) ( 8 + 12) : 8 = 2.5
--------------------------------
SECTION F
---------------------------------
1st Step
Now let's see FULL PERIMETERS of each of these painting:
(a) THE LAST SUPER
Perimetr = (348 + 180 ) x 2 = 1056 inches
(b) MONA LISA
Perimeter = ( 21 + 30) x 2 = 102 inches
(c) 3 MOUTHS
Perimeter = ( .5 + 2.5) x 2 = 6 inches

2nd Step
Now lets see all these by the Mathematical Model before explained:

(a) "1056 - 102) + 6 = 960"
(b) "960 : 6 (cube faces) : 6.666... = 24
(c) 24 = Cube Faces Total Area
(d) 24 = 13 (Humans at table) + 11 (Windows)

3rd Step
"((1056 - 102) + 6) ) : DECIMAL SYSTEM = 8 x 12"

3rd Step
Sumerian PI = 3.136264369
3".146264369 : Square/Circle : 162 = Sumerian Finger"

Now knowing that THE SUMERIAN FINGER is
equal to ".015276202", let's make it the perimeter of a Square
whose sides would then be: "3.8190505 ( -03)" as:
.015276202 : 4 = 3.8190505 (-03).

4th Step
Now let's see THE BRITISH ENCODED FOOT" of .304799839 units:

"6.666... x ( SUMERIAN FINGER : 4 x12 : 1.001187322 : 1.001187322) =.304799839"

See my Research Data regarding the fact that this Foot was
THE FIRST BRITISH FOOT,
and the Warning of THE BIRITSH ACADEMY in the articles:
http://mathforum.org/kb/thread.jspa?threadID=1106512&tstart=0225
http://mathforum.org/kb/thread.jspa?threadID=1106553&tstart=240
http://mathforum.org/kb/thread.jspa?threadID=1106555&tstart=225
------------------------------
The presentation of the Mathematical Codes of Leonardo Da Vinci's
"THE LAST SUPER" and its Relatted Relation to "MONA LISA" , and
to the Spiritual Painting "3 MOUTHS" continues...
-----------------------------------
Signed:
Ion Vulcanescu - Philosopher
Independent Researcher in Geometry
Author, Editor and Publisher of
THE AMERICAN CIVILIZATION'S GEOMETRY

April 2 2010

Hurleyville
Sullivan County
State of New York
THE UNITED STATES OF AMERICA