Search All of the Math Forum:
Views expressed in these public forums are not endorsed by
Drexel University or The Math Forum.


Posts:
140
Registered:
3/25/08


Leonardo Da Vinci's Mathematical Codes of " THE LAST SUPPER", and "MONA LISA" (Part 11)
Posted:
Apr 2, 2010 11:02 PM


Copyrights 2010 by Ion Vulcanescu.  WELCOME to the newest branch of the science: THE MATHEMATICAL ANTHROPOLOGY !  This article presents Leonardo Da Vinci's Mathematical Codes of the paintings called "THE LAST SUPPER", and "MONA LISA" hidden in THE INTERRELATIONS BETWEEN THEIR SIZES, and it Mathematically Signal the existence of ANOTHER 3rd UNKNOWN PAINTING of Leonardo Da Vinci existing ONLY AS SPITIUAL that in this research shall be encoded as "3M" symbolizing the "3 Mouths", a painting that is DIRECT RELATTED to Leonardo Da Vinci use of THE CONCEPT OF MOUTH described in of a Part 9 of this serie of articles where I have also described these "3 MOUTHS". See this article at: http://mathforum.org/kb/thread.jspa?threadID=2056395&tstart=0
This article it Mathematicaly and Historically Signals that by Leonardo Da Vinci era in time THE THEN EUROPEAN SCIENTISTS AND ARTISTS KNEW OF SUMER, and of THE SUMERIAN NATURAL GEOMETRIC PI VALUE " 3.146264369..." its separation in 162 FINGERS (for Length), and Grains ( for Weight), and that what happened in the Europe with THE SUPRESSING OF THIS NATURAL GEOMETRIC PI VALUE it was A FALSIFICATION OF UNTOLD PROPORTIONS OF THE CIVILIZATION'S HISTORY, and OF THE SCIENCE OF MATHEMATICS, as to match the Vatican Political Inquistion Era Intereses, and the then Antisemetic Efforts of the erassing of THE OLD HEBREWS MILLENIA OLD BODY OF KNOWLEDGE whose Highest Symbol of their Existence in time it reads their High Spiritual Level: "SOLOMON TEMPLE = THE NATURAL GEOMETRIC PI VALUE"  Please, be advised that this article contains not only the Research Data, but also my Opinions of philosopher, both fully protected by the Federal Laws of the United States, and by the International Copyrights Laws. If you intend to use partial, or total this Research Data, you can use it by the Fair Uses Rights of the Copyrights Laws, or by the Grant I have indicatted in the Copyrights Notice of THE AMERICAN CIVILIZATION'S GEOMETRY that can be found at the end of the article: "The Condemnation by the Paris Livre of the French Academy of Sciences" http://mathforum.org/kb/thread.jspa?threadID=1236573&tstart=0 or ask the Mathforum for Permission in writing.  The Understanding of the Research Data of this article requires familiarization with Ion Vulcanescu's prior Research Data of the articles of THE AMERICAN CIVILIZATION'S GEOMETRY that can be found on Mathforum at: http://mathforum.org/kb/forum.jspa?forumID=413  As hereandthere may be typing, or other errors this article shall be continuu corrected and reeditted until it shall remain fidel to the intended form.
Due to this Effect the interested researchers who shall reach this article either as subscribers to Mathforum, or through an Internet Search Engine shall allways return to http://mathforum.org/kb/forum.jspa?forumID=413 and consider only the last corrected edition.  As the Research Data is ample and requires large writing space it shall be ONLY PARTIAL DECODED in this article and for Copyright Security Reason it shall be presented only with few explanations, and with, or without THE SPIRITUAL PLUGS.
The Real Values of the Words ARE WITH INTENTION KEPT UNPUBLISHED as they may be published in a future possible book, or I shall return to mathforum in future years, and fully present them.
Considering that you were already Warned that the understanding of this Research Data requires familiarization with the prior published articles, and as the majority of the Numerical Codes herein seen were already explained in the before published articles this article shall not explain them again.  INTRODUCTION  The STARTING POINT of the research of a possible hidden TimeMessage in the Leonardo Da Vinci paintings 'THE LAST SUPPER" and " MONA LISA" begun when I realized THE MISERABLE PRESENTATION of the sizes of these paintings.
For"THE LAST SUPPER" , I found sizes in French Centimeters as "460 x 880 " and in English Inches as "181 x 346". Then as I kept researching again I ended up in other sizes as "450 x 870 cm, or "15 x 29 fet, and
For"MONA LISA" I found sizes as "77 x 53 cm", or 30 x 21 inches".
As by this time I ALREADY KNEW that THE GEOMETRICAL EXACTITUDE of both THE FRENCH METRE as also THE BIRTISH FOOT were A SHAME AND DISHONOUR FOR THE FRENCH SCIENTISTS, as also A SHAME AND DISHONOUR FOR THE BRITISH SCIENTISTS, I immediate realized that THERE MUST BE SOMETHING HIDDEN in the sizes of these paintings.
See for yourself THE GEOMETRICAL ERROR of the French Metre in the article: http://mathforum.org/kb/thread.jspa?threadID=1106408&tstart=315 and THE GEOMETRICAL ERROR of the British Foot in the articles: http://mathforum.org/kb/thread.jspa?threadID=1106512&tstart=225 http://mathforum.org/kb/thread.jspa?threadID=1106555&tstart=225 then knowing these ERRORS, see the SIGNALS that THE EARLIER EUROPEAN SCIENTISTS have lett for us  the future generations of after them in THE PARIS LIVRE in the article: http://mathforum.org/kb/thread.jspa?threadID=1236573&tstart=90 and end this research through the articles: http://mathforum.org/kb/thread.jspa?threadID=1915204&tstart=0 http://mathforum.org/kb/thread.jspa?threadID=1106407&tstart=315 http://mathforum.org/kb/thread.jspa?threadID=2046187&tstart=0 where through a Draw of Inscribed and Circumscribed Squares to a Circle I have shown THE MATHEMATICAL NUMERICAL ERROR of the PI Values now Politically Convenient imposed over Civilization, and also see there THE MATHEMATICAL EXACTITUDE OF THE SUMERIAN NATURAL GEOMETRIC PI VALUE.
...and you do not have to believe me, just see for yourself !
Having then realized that the sizes of "THE LAST SUPPER" and "MONA LISA" given to me  as to an Idiot  through the French Metre, and through the British nowdays Foot were not telling the sizes of these two paintings of Leonardo Da Vinci, I started to philophically meditate to how I could read these sizes.
1st Observation From the begining, what I sensed it was that even the sizes were wrong THE SAME UNIT OF LENGTH was used for both METRE and FOOT sizes.
2nd Observation The sizes of "THE LAST SUPPER" were given in FET (15 x29),and the sizes of "MONA LISA" were given in INCHES (181 x 346). This indicate to me "FOOT : 12 = INCH"
3rd Observation When one look to a SQUARE or RECTANGLE you have to know just TWO SIZES, seen by me as TOP SIZE and SIDE SIZE. This philosophical observed Fact remembered to me my Early Years of Researcher when I realized that I can break the Circle from a Top Point, spread its Circumference, and end up in a Triangle where the Circle's Circumference was the Base, and the Radius was the Altitude, and I could see the Circle's Area as a Triangle Area by a "known but not accepted " Mathematical Exactitude "(Base x Altitude) : 2 = (2PI x R) : 2 = PIx (R x R) "
I have published this Research Data during 1990 in the book: "THE POINT'S PYRAMIDAL EFFECT" Copyrights 1990 by Ion Vulcanescu US Library of Congress # TXu 399631 It can be found in the US Library of Congress as also it is now on the shelves of academies of sciences as such: France, England, Sweden, Australia, Japan , Romania, etc.
It is one of the books which was considered during 1991 by a Team of NASA Senior Engineers to call on THE WHITE HOUSE that the US National Academy of Sciences to be asked to investigate the research.
UNBELIEVABLE ! These NASA Senior Engineers had the guts to ask that THE AMERICAN ACADEMICIANS to Investigate the work of A SELEFEDUCATED ROMANIAN IMMIGRANT?
What a Shame !
Of course like anything it is NEW and AGAINST THE ACADEMIC AMERICAN EXTABLISHEMENT, they were ...SILLENCED !
This philosophical Seen Aspect drove me to observe a possible hint: "What if Leonardo Da Vinci  knew before me this Aspect and I have to look to Each Painting to just the TOP SIZE and SIDE SIZE?"
...and then what started to come out IT WAS LIKE A SPIRITUAL AVALANCHE !  SECTION A  "THE LAST SUPPER"  1st Step Change "THE LAST SUPER" sizes from FET to INCHES: ( a) 29 fet x12 = 348 inches, and (b) 15 fet x 12 = 180 Inches
2nd Step Draw the sizes of "THE LAST SUPPER" in INCHES: Draw a Horizontal Rectangle of sizes "348 x 180", and mark Topside as 348 inches and Rightside as 180 inches.
3rd Step Starting from Topleftside Corner draw a Rectangle Diagonal to the Bottomrightside Corner.
Now go to "MONA LISA" painting !  SECTION B  "MONA LISA"  1st Step Draw a Vertical Rectangle and mark its sizes as; Topside = 21 inches Rightside = 30 inches.
2nd Step Again draw its Diagonal as to the 3rd Step of "THE LAST SUPPER".
Now go to the Spiritual Painting "3 M" ( 3 Mouths) !  SECTION C  3 MOUTHS (the Spiritual Painting)  1st Step Draw a Vertical Rectangle of sizes ."5 x 2.5" Do you remember what I have described in Part 9 that it was "THE LAST SUPPER" painting in the Concept of "3 Mouths" ? If you do not remember, again go to Part 9, see there was it was described as ".5" and "2.5" and then come back here See Part 9 by clicking on this link: http://mathforum.org/kb/thread.jspa?threadID=2056395&tstart=0 Mark Top side as of .5 length, and Rightside as 2.5 length. DO NOT QUESTION WHAT TYPE OF UNITS ARE THESE just mark the sizes with the indicated numbers.
2nd Step ...and again draw it Diagonal as indicatted to SECTION A, Step 3.  SECTION D  Now we shall calculate the sum of both sizes of each painting :
1st Step (a) "THE LAST SUPPER" 348 + 180 = 528 inches ( for Top Side and Right Side only)
(b) "MONA LISA" 21 + 30 = 51 inches ( for Topside and Right Side only)
(c) "3 MOUTHS" .5 + 2.5 = 3 inches ( for Top Side and Right Side only)
2nd Step Now let's add them up by the Mathematical Model I have discovered as have been used by Leonardo Da Vinci: "(THE LAST SUPER  MONA LISA) + 3 MOUTHS = 480"
...and this Mathematical Model you already have it under your eyes as: " (528  51) + 3 = 480"
3rd Step Now divide by " THE DECIMAL SYSTEM" as: "(528  51) + 3 )) : DECIMAL SYSTEM = 48"
Now let' go "hunt" for this 48 !  SECTION E  1st Step We see this "48" in "THE LAST SUPPER" as: ((11 + 13) + (13 + 11)) = 48"
...and again, if you do not understand what is this Expression go back top Part 9 where you shall see that it is A MOUTH seen as: " 11 ( Windows) + 13 (Humans at table) + + 13 Humans at table) + 11 Windows = 48" that " AS MOUTH = 48" you see it as: "UPPER LIP + UPPER TEETS + + LOWER TEETS + LOWER LIP = MOUTH"
2nd Step Now shall go ahead and see the Relation of this "48" to THE NATURAL GEOMETRIC PI VALUE " 3.146264369... but first we must see THE ONLY GEOMETRIC UNIT OF LENGTH
3rd Step Draw a Circle of Radius = One. Draw an Hexagon inside of Circle. Observe that Multiplying the Hexagon size ( 6) by 1.111... you see a numerical value as "6.6666..." What it is this "1.111..." I have explained in the article: http://mathforum.org/kb/thread.jspa?threadID=1106406&tstart=315 Researching this article you shall realize THE SUPERIORTY OF THIS CONCEPT over "THE CALCULUS" since this "1.111..." comes direct from THE CALCUS ERROR called the CALCULUS ASSUMING CONCEPT where A PART OF THE PI VALUE it is "mathematicaly thrown away" as "NON IMPORTANT".
4th Step (a) Draw a Cube of edge 2 (b) Observe that it has 6 Faces, and on each face it is Inscribed THE CIRCLE of Radius = ONE of 3rd Step. (c) Observe that if each circle has an Hexagon that when multiplied by 1.111... now you have 6 faces, thus 6.6666 x 6 = 40 (d) Do you remmber that in JOSEPHUS ROULETE THE NUMBER "40" IT WAS EXECEPTED" See the JOSEPHUS ROULETE description in the articles : http://mathforum.org/kb/thread.jspa?threadID=1991055&tstart=0 http://mathforum.org/kb/thread.jspa?threadID=2014283&tstart=0 where the number "40" it was indicated in the 2nd article. (d) Now calculate the Base Diagonal and Volume Diagonal of this Cube. You have a Base Diagonal that it is SQUARE ROOT FROM "8", and a Volume Diagonal that it is SQUARE ROOT FROM "12"
5th Step Now look to how ".5" and "2.5" appears "as relatted": (a) (528  51) + 3 : DECIMAL SYSTEM = 48 = 40 + 4" ( See explanations in SECTION D, Step s 1 thru 3) (a) (8 + 12) : 40 = .5 (b) ( 8 + 12) : 8 = 2.5  SECTION F  1st Step Now let's see FULL PERIMETERS of each of these painting: (a) THE LAST SUPER Perimetr = (348 + 180 ) x 2 = 1056 inches (b) MONA LISA Perimeter = ( 21 + 30) x 2 = 102 inches (c) 3 MOUTHS Perimeter = ( .5 + 2.5) x 2 = 6 inches
2nd Step Now lets see all these by the Mathematical Model before explained:
(a) "1056  102) + 6 = 960" (b) "960 : 6 (cube faces) : 6.666... = 24 (c) 24 = Cube Faces Total Area (d) 24 = 13 (Humans at table) + 11 (Windows)
3rd Step "((1056  102) + 6) ) : DECIMAL SYSTEM = 8 x 12"
3rd Step Sumerian PI = 3.136264369 3".146264369 : Square/Circle : 162 = Sumerian Finger"
Now knowing that THE SUMERIAN FINGER is equal to ".015276202", let's make it the perimeter of a Square whose sides would then be: "3.8190505 ( 03)" as: .015276202 : 4 = 3.8190505 (03).
4th Step Now let's see THE BRITISH ENCODED FOOT" of .304799839 units:
"6.666... x ( SUMERIAN FINGER : 4 x12 : 1.001187322 : 1.001187322) =.304799839"
See my Research Data regarding the fact that this Foot was THE FIRST BRITISH FOOT, and the Warning of THE BIRITSH ACADEMY in the articles: http://mathforum.org/kb/thread.jspa?threadID=1106512&tstart=0225 http://mathforum.org/kb/thread.jspa?threadID=1106553&tstart=240 http://mathforum.org/kb/thread.jspa?threadID=1106555&tstart=225  The presentation of the Mathematical Codes of Leonardo Da Vinci's "THE LAST SUPER" and its Relatted Relation to "MONA LISA" , and to the Spiritual Painting "3 MOUTHS" continues...  Signed: Ion Vulcanescu  Philosopher Independent Researcher in Geometry Author, Editor and Publisher of THE AMERICAN CIVILIZATION'S GEOMETRY
April 2 2010
Hurleyville Sullivan County State of New York THE UNITED STATES OF AMERICA



