The Golden Ratio
From Math Images
|The Golden Ratio|
The Golden Ratio
- The golden number, often denoted by lowercase Greek letter "phi", is
The term golden ratio refers to any ratio which has the value phi. The image to the right illustrates dividing and subdividing a rectangle into the golden ratio. This page explores how the Golden Ratio can be observed and found in the arts, mathematics, and nature.
Basic Description==The Golden Ratio as an Irrational Number==
The Golden Ratio in the Arts
There is an abundance of artists who consciously used the Golden Ratio from as long ago as 400 BCE. Once such example is the Greek sculptor Phidias, who built the Parthenon. The exterior dimensions of the Parthenon form the golden rectangle, and the golden rectangle can also be found in the space between the columns.
Another instance in which the Golden ratio appears is in Leonardo Da Vinci’s drawing of the Vitruvian Man. Da Vinci’s picture of man’s body fits the approximation of the golden ratio very closely. This picture is considered to a depiction of a perfectly proportioned human body. The Golden Ratio in this picture is the distance from the naval to the top of his head, divided by the distance from the soles of the feet to the top of the head.
The Golden Ratio manifests in the idea that music is proportionally balanced. However, it is an area of debate, because some scholars claim that these appearances are purely coincidental, or a result of number juggling from aficionados. However, many contemporary artists have intentionally used the Golden Ratio in their pieces. Composer, mathematician and teacher Joseph Schillinger believed that music could be based entirely on mathematical formulation. He developed a System of Musical Composition in which successive notes in a melody were followed by Fibonacci intervals when counted in half steps. Half steps are the smallest intervals possible, and it is the closest note that can be played higher or lower.
For example, if C were the first note in a composition, the following note would be half a step higher, because one is a Fibonacci number. So, the second note would be a D flat. Schillinger would alternate between moving up and down in intervals. Thus, the third note would be two half steps (because two is the next Fibonacci number), down from the D flat, which would be B flat. The next Fibonacci number after two is three, so the next note would be three half steps higher than the last. Three half steps higher than B flat is E flat. Schillinger believed that these notes convey the same sense of harmony as the phyllotactic ratios found in leaves.
A More Mathematical Explanation
Fibonacci NumbersOne of the greatest breakthroughs regarding the Golden Ratio came when its rela [...]
One of the greatest breakthroughs regarding the Golden Ratio came when its relation to Fibonacci numbers, also known as the Fibonacci sequence, was discovered. Fibonacci numbers can also be found in the arts, and nature. The Fibonacci sequence is the series of numbers,
The next term in the Fibonacci sequence, starting from the third, is determined by adding the previous two terms together. The Fibonacci sequence is related to the Golden Ratio because as the sequence grows, the ratio of consecutive terms gradually approaches the Golden Ratio. For example here are the ratios of the successive numbers in the Fibonacci sequence:
The Golden Ratio in Nature
Spirals & Phyllotaxis
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