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Topic: Leonardo Da Vinci's Mathematical Codes of "THE LAST SUPPER" ( Part 5)
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Leonardo Da Vinci's Mathematical Codes of "THE LAST SUPPER" ( Part 5)
Posted: Mar 20, 2010 2:45 PM

Copyrights 2010 by Ion Vulcanescu.
-------------------------------------------------------
WELCOME to the newest branch of the science:
THE MATHEMATICAL ANTHROPOLOGY !
---------------------------------------------------------------------
hidden in the seating of the 13 Humans seen sitting to the table
in the Leonardo Da Vinci's painting "THE LAST SUPPER".

I have discovered these Time Mesages
when I took a look to the FREQUENCIES of each Human,
and to Interrelations between these FREQUENCIES.

Although the painting "THE LAST SUPPER"
presents the seating of the Humans
IN THE KNOWN ORDER:

"Bartolomew, James, Andrew, Judas, Peter, John, Jesus Christ
Thomas, James, Philip, Matthew, Jude Thaddeus and Simon,"

due to the Double Encoding of JUDE THADDEUS
we have to see not 13 Humans but 26 Humans
SEATTED UNDER TWO ROWS
which appears due to the Double Personification of:
- JESUS (7) CHRIST (20), and
- JUDE(12) THADEUS (25) each having Two Positions:

FIRST ROW
(1) Bartolomew, (2) James, (3) Andrew, (4) Judas,
(5) Peter, (6) John, (7) JESUS ,
(8) Thomas, (9) James, (10) Philip, (11) Matthew,
(12) JUDE, (13) Simon, and

SECOND ROW
(14) Bartolomew, (15) James, (16) Andrew,
(17) Judas, (18) Peter, (19)John, (20)CHRIST,
(21) Thomas, (22) James, (23)Philip,
(24) Matthew, (25) THADDEUS, (26 )Simon.

Observe that the Humans are Encoded
as being not 13 but 26 , as also the Alphabet has 26 letters,
but read the WARNING of bellow !

WARNING !
In order to understand the Time-Messages
"JESUS CHRIST" must be "removed" from among the "apostles"
in both First and Second Rows, but
you shall see that even HE is "removed"
HE in fact appears time-and-again in coordonations.

Be patient, in the following articels
YOU SHALL SEE THE IMPORTANCE OF HAVING
JESUS CHRIST "REMOVED" FROM AMONG HIS "APOSTLES".
---------------------------------------------------
Data, but also my Opinions of philosopher,
both fully protected by the Federal Laws of the United States,
and by the International Copyrights Laws. If you intend to use partial,
or total this Research Data, you can use it by the Fair Uses Rights
of the Copyrights Laws, or by the Grant I have indicatted in
the Copyrights Notice of
THE AMERICAN CIVILIZATION'S GEOMETRY
that can be found at the end of the article:
"The Condemnation by the Paris Livre
of the French Academy of Sciences"
or ask the Mathforum for Permission in writing.
-----------------------------------
The Understanding of the Research Data of this article
requires familiarization with Ion Vulcanescu's
prior Research Data of the articles of
THE AMERICAN CIVILIZATION'S GEOMETRY
that can be found on Mathforum at:
http://mathforum.org/kb/forum.jspa?forumID=413
-------------------------------------
As here-and-there may be typing, or other errors
this article shall be continuu corrected and reeditted
until it shall remain fidel to the intended form.

Due to this Effect
the interested researchers who shall reach this article
either as subscribers to Mathforum, or through an Internet
http://mathforum.org/kb/forum.jspa?forumID=413
and consider only the last corrected edition.
-------------------------------
As the Research data is ample and requeires large writing space
it shall ONLY BE PARTIAL DECODED in this article,
and for Copyright Security Reason
it shall be presented with few explanations, and with,
or without THE SPIRITUAL PLUGS.

The Real Values of the Words
ARE WITH INTENTION KEPT UNPUBLISHED
as they may be published in a future possible book,
or I shall return to Mathforum in the future years,
and fully present them.

Considering that you were Warned that the understanding
of this Research data requires familiarization
with the prior published articles, and
as the majority of the Numerical Codes herein seen
were already explained in the before published articles,
this article shall not explain them again.
--------------------
SECTION A
--------------------
...and having JESUS CHRIST "removed" from among the
Humans seatted to the table we hand up with the following views.

Please be advised that the following views of the Frequencies
are badsed on the Mathematical Models through which
I have passed the 12 "apostles".

These Frequencial Views are just some of many obtained :

Step1
FIRST ROW POSITIVE POSITIONAL FREQUENCY = 27792
FIRST ROW NEGATIVE POSITIONAL FREQUENCY = 6512

Step 2
SECOND ROW POSITIVE POSITIONAL FREQUENCY =27616
SECOND ROW NEGATIVE POSITIONAL FREQUENCY = 6688

Step 3
FIRST ROW ENCODED POSITIVE SITTING ORDER = 151204
FIRST ROW ENCODED NEGATIVE SITTING ORDER = 131218

Step 4
SECOND ROW POSITIVE SITTING ORDER = 151304
SECOND ROW NEGATIVE SITTING ORDER= 131318

Step 5
FIRST ROW POSITIONAL VALUE = 85
SECOND ROW POSITIONAL VALUE = 86

Step 6
FIRST ROW ALPHABETICAL FREQUENCY = 92
FIRST ROW POSITIVE (U/L) FREQUENCY = 14450
FIRST ROW NEGATIVE (U/L) FREQUENCY = 1970
FIRST ROW POSITIVE (U/L) FREQUENCY = 16928
FIRST ROW NEGATIVE (U/L) FREQUENCY = 608

Step 7
SECOND ROW ALPHABETICAL FREQUENCY = 93
SECOND ROW POSITIVE (U/L) FREQUENCY = 14792
SECOND ROW (U/L FREQUENCY = 2044
SECOND ROW POSITIVE (U/L) FREQUENCY = 17298
SECOND ROW NEGATIVE (U/L) FREQUENCY = 618
---------------------------------
SECTION B
--------------------------------
Step 1
The research of the Numerical Sequence indicates that
although the Seating it is seen as in painting,
the DESIGNER of the painting intended that at a later time the Decoder to see the Really Seating.
He appears that based his Design on the intuition that
SOMETIME IN THE FUTURE TIME
shall be born a human who shall understand his Design.
...and here is the view of the Desing of
"THE LAST SUPPER":

FIRST ROW
( as SEEN in painting)
2 + 3 + 1 = 6
6 + 5 + 4 = 15
9 + 10 + 8 = 27
14 + 12 + 11 = 37
TOTAL = 6 + 15 + 27 + 37 = 85
...and we can see:
- POSITIONAL VALUE = 85
- POSITIVE POSITIONAL FREQUENCY = 27792
- NEGATIVE POSITIONAL FREQUENCY = 65112
- POSITIVE SITTING ORDER = 151204
- NEGATIVE SITTING ORDER = 131218
- ALPHABETICAL FREQUENCY = 92
- POSITIVE (U/L) FREQUENCY = 14450
- NEGATIVE (U/L) FREQUENCY =1970
- POSITIVE (U/L) FREQUENCY =16928
- NEGATIVE ( U/L) FREQUENCY = 608

SECOND ROW
( as Spiritually Encoded and NOT SEEN in Painting)
2+3+1 = 6
6 + 5 + 4 = 15
9 + 10 + 8 = 27
14 + 13 + 11 = 38
TOTAL = 6 + 15 + 27 + 38 = 86
...and now we can see:
- POSITIONAL VALUE = 86
- POSITIVE POSITIONAL FREQUENCY =27616
- NEGATIVE POSITIONAL FREQUENCY =6688
- POSITIVE SITTING ORDER= 151304
- NEGATIVE SITTING ORDER = 131318
- ALPHABETICAL FREQUENCY = 93
- POSITIVE (U/L) FREQUENCY =14792
- NEGATIVE (U/L) FREQUENCY = 2044
- POSITIVE ( U/L) FREQUENCY= 17298
- NEGATIVE (U/L) FREQUENCY = 618

Step 2
Now let's create THE GEOMETRIC POINT of each Row:

FIRST ROW
85 x 4 = 340

SECOND ROW
86 x 4 = 344
-----------------------------------------
SECTION C
-------------------------------------
Now let's read the Design:
(In this Design The Natural Geometric PI Value it is encoded
through the 162 Sumerian Fingers and Grains).

a - " (SWASTIKA : DECIMAL SYSTEM) -340 - 344 = 316"

Note: Remember my former Research Data call that you to keep
your eyes on THE CODE 316 !

b - "SOLOMON TEMPLE - THE NATURAL GEOMETRIC PI VALUE -
- ALPHABET = 316"

c - "( SOLOMON TEMPLE AREA : SOLOMON TEMPLE PERIMETER) :
: JESUS CHRIST = SOLOMON TEMPLE /THE NATURAL GEOMETRIC
PI VALUE "

Note: Do not laugh or be confused of the appearition of JESUS CHRIST
as relatted to THE SOLOMON TEMPLE. In a former article I have
indicatted that the research seems to indicate that at its origin
the Christianitity had THE OLD HEBREWS Spiritual Input.

d - (151304 - 151204 + 10) + ( 434 + 10) = 554"

e - (13138 - 344) -( 131218 - 340) - 55 = 41"

Notes: Here you see encoded "55" as the 55 years of Exile of the Gerizim Tribes,
and in "41" you see the JOSEPHUS ROULETE' s 41 Jewish Fighters
explained in former articles here on Mathforum.

f - (((340 -1) + (344 -1)) + (316 : 2))) x 4 = 3360

Notes: Look to "3360" for that it is also
THE GEOMETRIC POINT of 9/11/2001.
Do not take it as a "coincidence" for that IT IS NOT.
This view is just a part of
THE DESTRUCTIVE EFFECT
of the Humans and Non Humans discovered by me as being
THE SPIRITUAL LOCKED time message of the designers of
Judaism, Buddhism, Christianity, and Islam.

g - (85 + 86 + 1) - DECIMAL SYSTEM = THE NATURAL
GEOMETRIC PI VALUE = 162"

h - (27792 + 6512) = (27616 + 6688) = 34304

Note: observe THE EQAULITY of THE FIRST ROW, and
THE SECOND ROW, herein seen as "34304"

i - (34304 - 33133 - 1) x 4 = 3360"

Note: See Sample "i" of above. Here you see again
THE GEOMETRIC POINT of 9/11/2001.

j - (33133 - 1) + 434 + (( 27792 + 6512) + ( 27616 + 6688) - 2012 AD -
- THE NATURAL GEOMETRIC PI VALUE = SWASTIKA"

k - " 5772 - ( 26 x 4) + 34304 = (151204 - 131218) + ( 151304 - 131318)"

Note: "5772 = the year 2012 in the Old Hebrews Calendar.

l - "9886 + ((26 -1) x 4)) + SWASTIKA = ( 151204 - 131218) =
= (151304 - 131318)"

Note:
The "9886" was explaind in Part 1 and Part 2,
as it appears MANY TIMES the Coordonations
as it is relatted to 9/11/2001. Now you see it again appearing !

m - "(2044 - 1970) x ( 618 - 610) = AL HAJAR UL ASWAD"

n - "9 AL HAJAR UL ASWAD - 1) - ( 316 + 1) - ( ALPHABET x
x DECIMAL SYSTEM ) = THE NATURAL GEOMETRIC PI VALUE "

o - " (14792 - 14450 - ALPHABET) = 316"

p - "(17798 - ALPHABET - 1) - ( 16928 + ALPHABET + 1) = 316"

q - 6 "512 - 5772 = AL HAJAR UL ASWAD"

r - "6512 + 888 - DECIMAL SYSTEM = AL HAJAR UL ASWAD"

s - "ARK ( of the Covenant) + SOLOMON TEMPLE AREA +
+ SWASTIKA = 6512 + 6688"

t - "(151302 - 131318) - ( 151301 - 151204) - SWASTIKA = 9886",

u - (151204 - 131218) - ( 15304 - (151204) - SWASTIKA = 9886"

v - "131318 - 131218 + 9886 + JESUS + CHRIST = SWASTIKA"

Notes: Look now very attent to Samples "t", "u" and "v".
(1) - In Samples "t"and "u" you have the image of "9886" that in Part 1
I have shown that it was tied in the 9/11/201 Effect. Now you see it
again appearing as relatted to Leonardo Da Vinci's painting
"THE LAST SUPPER".
(2) - In Sample "v" you see the reintroduction of JESUS and CHRIST
into the Coordonation, and realize that when joined with "9886"
it indicates SWASTIKA.(the number 10,000)
--------------------------------------------
PHILOSOPHICAL OPINIONS OF A SELFEDUCATTED
------------------------------------
As seen herein above it appears that the 9/11/2001 Effect
as also the Leonardo Da Vinci's painting "THE LAST SUPPER"
are indicating "THE CODE 9886".

Did the DESIGNER of Leonardo Da Vinci's "THE LAST SUPPER"
wanted to tell us something about AN EVENT that shall TAKE PLACE,
or SHALL CHANGE the Earth, that we see it again REPEATING
in the 9/11/2001 Effect ?

Who was the Designer of the painting?

From all we know it is the fact that two early copies are known
to exist, and they are atributted to Leonardo Da Vinci's ASSISTANT.

Was he a Jew who knew all SECRETS I have read from the Design
of the painting, or was he under the guidance and controll of
Other High Learned scholars of 15 th century AD, or
UNSEEN FORCES
guided this "ASSISTANT" of Leonardo to Design this painting ?

As the Level of Knowledge of the painting prooves to be a Product
of an High Intellectual, myself as researcher ,
based on the Events in which not only ME, but also my Dead Mother appears involved, concludes that the Design of this painting it has as Source
UNSEEN SPIRITUAL FORCES.

UNSEEN SPIRITUAL FORCES
appears that have guided all my life since the childhood:

First Sample
As I remember from my grandmother,
when I was born in a home at EXACTLY MIDNIGHT between
November 10 and Nov 11 1949,
the thunders were so high that while some women
were pulling me out from my mother,
and others were making the cross sign over them
remarking: "This is a Sign from God. Who shall be this child?"

Second Sample
As I finished the then 7 clases of General School
in the Hamlet of Pirsani, Village of Pielesti, county of Dolj, Romania
I then went to a school of Tractor Drivers. By the age of 18
I went voluntar in the Roumanian Army, and being Discharged
at 18 1/2, I then went to Bucharest
where I realized that I have to study. After finishing my first year
to a Medium School in back of a cemetery
in a section of city called Giulesti,
I then gave up to study in evening and moved to work
as Boiler Man at then Sala Comedia
of the Romanian National Theatre, and registered to study myself
and go to Written Examninations at the Lycee
"Gheorghe Lazar" locatted on a corner of Park Cismigiu.

But as it happened my teenage love with poetry,
it was so powerfull that writing poetry
it was for me more important then to learn .

Among the First not to like to learn
it was of course MATHEMATICS.
And when my first Written Examination came out
and in the same day the literary magazine
"ROMANIA LITERARA"
has published two of my small poetries,
and the actor Emil Botta was going
to Sala Comedia and showing from actor-to-actor that
"the maestro" Ion Vulcanescu is published on page 2,
and "the Great Poet " Dan Desliu is in back on him on page 3,
when I went to such Written Mathematical Examination
I was so happy, than my mind
did not want at all to tink of MATHEMATICS.

..and so when the Written Mathematical Text was given to me,
realizing that I did not know anything,
I just signed my name on such Written Mathematical Test,
and gave back to the Examinator, an old Professor,
who after looking "with admiration" to my Signature declared:

" Mr Vulcanescu I do not see any mathematics written on your paper,
but just your name "ION VULCANESCU". For your name
I even can not give you "ZERO", but just A POINT. And as A POINT
has the same Value as ZERO, I am today kind to you and give you ZERO.
I hope that someday YOUR NAME may mean something.."

...and from such time I realized that I shall dedicate my life
to find out what was "THE POINT.
And as the years passed one-by-one I found such "POINT".

It was
THE ANCIENTS GEOMETRIC POINT
which you can see it at:

..and it happened again:
It was March 1 1978, my first day in United States
when walking on 5th Avenue at Rockefeller Center
a lady named Dafina Roll remarked that
" The Americans have everyting
it remained only to come someone to lett them know
what is THE POINT"

Third Sample
As with respect to my name " ION VULCANESCU"
although you saw it few times appearing
see now these two "appearings"

(13 (humans of "THE LAST SUPPER" + DECIMAL SYSTEM) +
+ ( 11 (Windows of "THE LAST SUPPER") +
+ AL AHAJR UL ASWAD + THE NATURAL GEOMETRIC
PI VALUE + SOLOMON TEMPLE = ION VULCANESCU"

(SWASTIKA x DECIMAL SYSTEM) - SOLOMON TEMPLE -
- ALPHABET + DECIMAL SYSTEM) = ION VULCANESCU"

...and so has THEN
THE UNSEESN SPIRITUAL FORCE
spoken to LEONARDO DA VINCI !

...and so is NOW
THE UNSEEN SPIRITUAL FORCE
speaking to...ION VULCANESCU !

But as
THE CROOKS AND CHARLATANS
of USA Universities and USA National Academy of Sciences
CATEGORICALLY REFUSE TO ACCEPT
that a Selfeducated is able to make Important Discoveries,
for that having a Selfeduacted not only a Equal of them
but A BETTER THEN THEM
would be AN INSULT TO THEIR NOSE UP.

Well, in the same way that
a black american called BARACK OBAMA
rised up and challenged the United States
until he became President of the United States
so it is this "blacklisted" by them ION VULCANESCU
challenging "THE ESTABLISHMENT" presenting to civilization
THE FALSIFICATION OF THE ACIENTS PI VALUE
BY THE FRENCH ACADEMY OF SCIENCES,
and the now Cover up of this shamefull and dishonorable act of the French Academy of Sciences

by the USA Universities,
by the USA National Academy of Sciences,
and THE USA CONGRESS.

See the Mathematical Proof of this Falsification in the article:
and Other Relatted Prooves in the articles:
------------------------------------------------
DO YOU HEAR THE CRY OF THE ESTABLISHMENT ?

...JUST WAIT AMERICA for that
the presentation of Leonardo Da Vinci's Mathematical Codes of "THE LAST SUPER" continues
and this former "Romanian Pacala" (Pokalla)
now AN AMERICAN PACALA
has more under his sleeves !
-----------------------------------
Signed:
Ion Vulcanescu - Philosopher
Independent Researcher in Geometry
Author, Editor and Publisher of
THE AMERICAN CIVILIZATION'S GEOMETRY

March 19 2010

Hurleyville
Sullivan County
State of New York
THE UNITED STATES OF AMERICA

Date Subject Author
3/21/10
12/10/11